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The Beef Sisters
A Polaroid-based art photo series
by Kris 'Curtiz' De Meester

"The Beef Sisters" is an art photo series that challenges societal perceptions and stereotypes surrounding women. The Polaroid-based series portrays young women in scenes of apparent injury and bloodshed, subverting the conventional narrative of victimhood. Unlike the conventional portrayal of blood-covered women as victims of violence, the subjects in this series exude an aura of strength, agency, and empowerment.

 

Each image captures a moment frozen in time, evoking a powerful sense of intrigue and prompting viewers to question their own preconceived notions. The women depicted in these images are not mere victims; they are the architects of their own narratives, symbolizing a radical shift in the way we perceive female strength and resilience. By challenging the norm and exploring the duality of vulnerability and empowerment, "The Beef Sisters" inspires a reevaluation of societal constructs that have traditionally pigeonholed women into predefined roles.

 

The series engages with the concept of gender identity and societal expectations, urging the audience to reflect on the inherent biases and assumptions ingrained within our collective psyche. Through its bold and unapologetic approach, "The Beef Sisters" invites viewers to see beyond the surface and recognize the complexities that make up the female experience. It prompts us to question the ingrained tendency to assign roles based on gender, ultimately inviting a broader conversation about redefining femininity and embracing the diverse range of human expression.

A series of original Polaroid-based collage mixed media pieces (16 Polaroid photo for each image, 50 x 50 cm).

Content:

- Polaroid Mixed Media Series

- Artist Statement

- Biography

Polaroids

Polaroid Mixed Media Series

Artiststatement

Artist Statement: "For a generation unafraid to embrace their strength"

"The Beef Sisters" is an exploration of perception, a visual symphony challenging the status quo and redefining the lens through which we view women. In a world where appearances often shape our judgments, this series serves as a defiant response, inviting audiences to engage in a profound dialogue about gender, power, and resilience.

 

Our intention is not to glorify violence or provoke discomfort, but to disrupt the conditioned gaze that automatically categorizes women as victims. The blood, wounds, and turmoil depicted in these photographs serve as symbols of transformation, resilience, and the battles we all face, regardless of gender. By reclaiming these visuals, we unravel the layers of ingrained bias that have hindered progress and relegated women to narrow roles.

 

"The Beef Sisters" embodies a generation unafraid to embrace their strength, to wear their scars as badges of honor, and to defy society's limiting labels. The subjects in these images are not solely bloodied figures, but living embodiments of agency, challenge, and triumph. They embody the courage to question and reshape the narratives that have for too long confined us.

 

Through this series, we summon inspiration for the next generation of women, encouraging them to embrace their complexity, break free from imposed molds, and forge paths that honor their true selves. As artists, we seek to spark conversations that transcend the frame, dismantling conventional assumptions and empowering viewers to witness the multifaceted nature of womanhood.

 

"The Beef Sisters" beckons you to transcend the surface, to see beyond the superficial veneer, and to recognize that strength knows no gender bounds. It is our hope that these images ignite a fire of introspection, facilitating a paradigm shift that echoes far beyond the confines of the frame, ultimately catalyzing a society where every individual is free to express, explore, and evolve on their own terms.

Biography

Biography

Kris 'Curtiz' De Meester (born in 1972 in Sint-Niklaas, Belgium) is a multifaceted artist, known for his contributions as a film director, photographer, casting director, and visual artist. Since 1992, his creative journey has been fueled by an unwavering fascination with the intricacies of human nature.

 

With a background as a casting director, Kris has lent his expertise to numerous arthouse films, collaborating with acclaimed directors such as Lars von Trier on "Nymphomaniac," Thomas Vinterberg on "The Command," Koen Mortier on "Ex-Drummer," Terrence Davies on "A Quiet Passion," Philippe Grandrieux on "Un Lac," and Timo Vuorensola on "Iron Sky," among many others. His discerning eye for talent and ability to connect actors with their roles have contributed to the success and authenticity of these cinematic works.

Kris De Meester's multifaceted artistic career has extended beyond his own projects, as he has also made significant contributions to the works of prominent contemporary artists. Notably, he served as production manager for Marie-Jo Lafontaine's captivating video installations, including the thought-provoking pieces 'Dark Pool' (2007) and 'La Chute' (2000). Additionally, his expertise as a casting director led to regular consultations by acclaimed artist Hans Op de Beeck, who sought his assistance in casting models for his evocative artworks. 

 

In addition to his work in casting, Kris De Meester has proven himself as a skilled writer and director. He made his directorial debut with the black and white vignette film "Four Roses," which garnered critical acclaim and received several awards. The film's theatrical release in Belgium and the Netherlands further established Kris as a promising filmmaker. Expanding his creative repertoire, Kris went on to adapt Dostoevsky's renowned novel "Notes From the Underground" into his second feature film, "Johnny Walker," showcasing his ability to delve into the depths of complex literary narratives.

 

Throughout his artistic journey, Kris De Meester has embraced various forms of expression, including video art, photography, and painting. His experimentation and exploration within these mediums have yielded remarkable results, with his earlier art pieces finding buyers from around the world. However, it is with his current project, "I Killed You a Dozen Times," that Kris takes his first steps into the international art scene with a multimedia approach, further expanding the boundaries of his artistic vision.

 

Driven by a profound curiosity about the human experience, Kris De Meester's work serves as a contemplative exploration of our collective emotions, desires, and struggles. His multidisciplinary approach allows him to capture the raw essence of these themes, inviting viewers to reflect, empathize, and engage in the universal aspects of the human condition.

 

As Kris continues to evolve and experiment within the realm of art, his distinctive voice and dedication to authenticity remain steadfast. With each new project, he pushes the boundaries of his creative practice, contributing his unique perspective to the global artistic landscape and inviting audiences to join him on a thought-provoking and transformative journey through the depths of human existence.

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